_modified_degree_to_half_steps (const modified_degree_t *degree)
{
int half_steps;
+ int scale_degree = degree->degree;
+
+ /* Restrict to actual degrees within a scale. */
+ if (scale_degree > 7)
+ scale_degree = (scale_degree % 8) + 1;
/* Number of half steps from root to specified degree within a
* diatonic scaled. */
- switch (degree->degree) {
+ switch (scale_degree) {
case 1:
half_steps = 0;
break;
int num_notes,
modified_degree_t *degrees,
int num_degrees,
- int *inversion_ret)
+ int inversion,
+ score_pitch_t *root)
{
-#define MAX_DEGREES 4
+#define MAX_DEGREES 6
int relative_pitches[MAX_DEGREES];
- int inversion, max_inversions;
- int i;
+ int i, root_index;
assert (num_degrees <= MAX_DEGREES);
if (num_notes != num_degrees)
- return 0;
+ return 0;
- max_inversions = num_degrees;
+ if (inversion >= num_degrees)
+ return 0;
/* We never spell simple intervals as inversions. */
- if (num_degrees == 2)
- max_inversions = 1;
-
- for (inversion = 0; inversion < max_inversions; inversion++) {
- for (i = 0; i < num_degrees; i++) {
- /* The num_degrees is in the addition just to ensure all
- * inputs to the modulus operator remain positive. */
- int index = (i + num_degrees - inversion) % num_degrees;
-
- /* Again, adding a 12 to keep things positive. */
- relative_pitches[index] =
- (12 +
- _modified_degree_to_half_steps (°rees[i]) -
- _modified_degree_to_half_steps (°rees[inversion])) % 12;
+ if (num_degrees == 2 && inversion > 0)
+ return 0;
+
+ for (i = 0; i < num_degrees; i++) {
+ /* The num_degrees is in the addition just to ensure all
+ * inputs to the modulus operator remain positive. */
+ int index = (i + num_degrees - inversion) % num_degrees;
+
+ /* Again, adding a 12 to keep things positive. */
+ relative_pitches[index] =
+ (12 +
+ _modified_degree_to_half_steps (°rees[i]) -
+ _modified_degree_to_half_steps (°rees[inversion])) % 12;
- }
+ }
- for (i = 0; i < num_notes; i++)
- if (notes[i].relative_pitch != relative_pitches[i])
- goto NEXT_INVERSION;
+ for (i = 0; i < num_notes; i++)
+ if (notes[i].relative_pitch != relative_pitches[i])
+ return 0;
- *inversion_ret = inversion;
+ root_index = (num_notes - inversion) % num_notes;
+ *root = notes[root_index].note->pitch;
- return 1;
+ return 1;
+}
- NEXT_INVERSION:
- ;
+static const char *
+_pitch_str (score_pitch_t pitch)
+{
+ switch (pitch) {
+ case SCORE_PITCH_Cff:
+ return "C𝄫";
+ case SCORE_PITCH_Cf:
+ return "C♭";
+ case SCORE_PITCH_C:
+ return "C";
+ case SCORE_PITCH_Cs:
+ return "C♯";
+ case SCORE_PITCH_Css:
+ return "C𝄪";
+ case SCORE_PITCH_Dff:
+ return "D𝄫";
+ case SCORE_PITCH_Df:
+ return "D♭";
+ case SCORE_PITCH_D:
+ return "D";
+ case SCORE_PITCH_Ds:
+ return "D♯";
+ case SCORE_PITCH_Dss:
+ return "D𝄪";
+ case SCORE_PITCH_Eff:
+ return "E𝄫";
+ case SCORE_PITCH_Ef:
+ return "E♭";
+ case SCORE_PITCH_E:
+ return "E";
+ case SCORE_PITCH_Es:
+ return "E♯";
+ case SCORE_PITCH_Ess:
+ return "E𝄪";
+ case SCORE_PITCH_Fff:
+ return "F𝄫";
+ case SCORE_PITCH_Ff:
+ return "F♭";
+ case SCORE_PITCH_F:
+ return "F";
+ case SCORE_PITCH_Fs:
+ return "F♯";
+ case SCORE_PITCH_Fss:
+ return "F𝄪";
+ case SCORE_PITCH_Gff:
+ return "G𝄫";
+ case SCORE_PITCH_Gf:
+ return "G♭";
+ case SCORE_PITCH_G:
+ return "G";
+ case SCORE_PITCH_Gs:
+ return "G♯";
+ case SCORE_PITCH_Gss:
+ return "G𝄪";
+ case SCORE_PITCH_Aff:
+ return "A𝄫";
+ case SCORE_PITCH_Af:
+ return "A♭";
+ case SCORE_PITCH_A:
+ return "A";
+ case SCORE_PITCH_As:
+ return "A♯";
+ case SCORE_PITCH_Ass:
+ return "A𝄪";
+ case SCORE_PITCH_Bff:
+ return "B𝄫";
+ case SCORE_PITCH_Bf:
+ return "B♭";
+ case SCORE_PITCH_B:
+ return "B";
+ case SCORE_PITCH_Bs:
+ return "B♯";
+ case SCORE_PITCH_Bss:
+ return "B𝄪";
}
- return 0;
+ fprintf (stderr, "Internal error: Unknown pitch %d\n", pitch);
+ exit (1);
}
+typedef struct chord_signature
+{
+ int num_degrees;
+ modified_degree_t degrees[MAX_DEGREES];
+ const char *name;
+} chord_signature_t;
+
+/* XXX: The superscript rise value should be relative to the current
+ * font size. Best would be for pango to support this. See:
+ *
+ * https://bugzilla.gnome.org/show_bug.cgi?id=708780
+ *
+ * For now, these are emipirically-derived values that look reasonable
+ * at the default size that score.c is using to draw the staff. If the
+ * user scales the staff up or down then these will look wrong.
+ */
+
+#define SUP "<span font='33' rise='30000'>"
+#define PUS "</span>"
+
+chord_signature_t signatures[] = {
+ /* Octave */
+ { 1, {{1, 0}}, "P8" },
+
+ /* Intervals */
+ { 2, {{1, 0}, {2, -1}}, "m2" },
+ { 2, {{1, 0}, {2, 0}}, "M2" },
+ { 2, {{1, 0}, {3, -1}}, "m3" },
+ { 2, {{1, 0}, {3, 0}}, "M3" },
+ { 2, {{1, 0}, {4, 0}}, "P4" },
+ { 2, {{1, 0}, {5, -1}}, "Tri-tone" },
+ { 2, {{1, 0}, {5, 0}}, "P5" },
+ { 2, {{1, 0}, {6, -1}}, "m6" },
+ { 2, {{1, 0}, {6, 0}}, "M6" },
+ { 2, {{1, 0}, {7, -1}}, "m7" },
+ { 2, {{1, 0}, {7, 0}}, "M7" },
+
+ /* Triads */
+ { 3, {{1, 0}, {4, 0}, {5, 0}}, "sus" },
+ { 3, {{1, 0}, {3, 0}, {5, +1}}, SUP "+" PUS },
+ { 3, {{1, 0}, {3, 0}, {5, 0}}, "" },
+ { 3, {{1, 0}, {3, -1}, {5, 0}}, "m" },
+ { 3, {{1, 0}, {3, -1}, {5, -1}}, "°" },
+ { 3, {{1, 0}, {2, 0}, {5, 0}}, "msus2" },
+
+ /* Seventh chords with no 3rd */
+ { 3, {{1, 0}, {5, +1}, {7, 0}}, SUP "+M7" PUS },
+ { 3, {{1, 0}, {5, +1}, {7, -1}}, SUP "+7" PUS },
+ { 3, {{1, 0}, {5, 0}, {7, 0}}, "M7" },
+ { 3, {{1, 0}, {5, 0}, {7, -1}}, "7" },
+ { 3, {{1, 0}, {5, -1}, {7, -1}}, "7♭5" },
+
+ /* Seventh chords with no 5th */
+ { 3, {{1, 0}, {4, 0}, {7, 0}}, "M7sus" },
+ { 3, {{1, 0}, {4, 0}, {7, -1}}, "7sus" },
+ { 3, {{1, 0}, {3, 0}, {7, 0}}, "M7" },
+ { 3, {{1, 0}, {3, 0}, {7, -1}}, "7" },
+ { 3, {{1, 0}, {3, -1}, {7, 0}}, "m" SUP "M7" PUS },
+ { 3, {{1, 0}, {3, -1}, {7, -1}}, "m7" },
+ { 3, {{1, 0}, {2, 0}, {7, 0}}, "m" SUP "M7" PUS "sus2" },
+ { 3, {{1, 0}, {2, 0}, {7, -1}}, "m7sus2" },
+
+ /* Sixth chords */
+ { 4, {{1, 0}, {4, 0}, {5, 0}, {6, 0}}, "6sus" },
+ { 4, {{1, 0}, {3, 0}, {5, 0}, {6, 0}}, "6" }, /* Ambiguous with m7 */
+ { 4, {{1, 0}, {3, -1}, {5, 0}, {6, 0}}, "m6" },
+ { 4, {{1, 0}, {2, 0}, {5, 0}, {6, 0}}, "m6sus2" },
+
+ /* Seventh chords */
+ { 4, {{1, 0}, {4, 0}, {5, +1}, {7, 0}}, SUP "+M7" PUS "sus" },
+ { 4, {{1, 0}, {4, 0}, {5, +1}, {7, -1}}, SUP "+7" PUS "sus" },
+ { 4, {{1, 0}, {4, 0}, {5, 0}, {7, 0}}, "M7sus" },
+ { 4, {{1, 0}, {4, 0}, {5, 0}, {7, -1}}, "7sus" },
+ { 4, {{1, 0}, {4, 0}, {5, -1}, {7, -1}}, "7♭5sus" },
+ { 4, {{1, 0}, {3, 0}, {5, +1}, {7, 0}}, SUP "+M7" PUS },
+ { 4, {{1, 0}, {3, 0}, {5, +1}, {7, -1}}, SUP "+7" PUS },
+ { 4, {{1, 0}, {3, 0}, {5, 0}, {7, 0}}, "M7" },
+ { 4, {{1, 0}, {3, 0}, {5, 0}, {7, -1}}, "7" },
+ { 4, {{1, 0}, {3, 0}, {5, -1}, {7, -1}}, "7♭5" },
+ { 4, {{1, 0}, {3, -1}, {5, 0}, {7, 0}}, "m" SUP "M7" PUS },
+ { 4, {{1, 0}, {3, -1}, {5, 0}, {7, -1}}, "m7" },
+ { 4, {{1, 0}, {3, -1}, {5, -1}, {7, 0}}, "°" SUP "M7" PUS },
+ { 4, {{1, 0}, {3, -1}, {5, -1}, {7, -1}}, "𝆩" SUP "7" PUS },
+ { 4, {{1, 0}, {3, -1}, {5, -1}, {7, -2}}, "°" SUP "7" PUS },
+ { 4, {{1, 0}, {2, 0}, {5, 0}, {7, 0}}, "m" SUP "M7" PUS "sus2" },
+ { 4, {{1, 0}, {2, 0}, {5, 0}, {7, -1}}, "m7sus2" },
+ { 4, {{1, 0}, {2, 0}, {5, -1}, {7, 0}}, "°" SUP "M7" PUS "sus2" },
+ { 4, {{1, 0}, {2, 0}, {5, -1}, {7, -1}}, "𝆩" SUP "7" PUS "sus2" },
+ { 4, {{1, 0}, {2, 0}, {5, -1}, {7, -2}}, "°" SUP "7" PUS "sus2" }, /* Ambiguous with 7 */
+
+ /* The sorting for chords with degree higher than 9 is funny
+ * to keep the array in degree order after reducing each
+ * degree to an actual scale degree, (9 -> 2, 11 -> 4, 13 ->
+ * 6) */
+
+ /* Ninth chords voiced with no 5th */
+ { 4, {{1, 0}, {9, 0}, {4, 0}, {7, 0}}, "M9sus" },
+ { 4, {{1, 0}, {9, 0}, {4, 0}, {7, -1}}, "9sus" },
+ { 4, {{1, 0}, {9, 0}, {3, 0}, {7, 0}}, "M9" },
+ { 4, {{1, 0}, {9, 0}, {3, 0}, {7, -1}}, "9" },
+ { 4, {{1, 0}, {9, 0}, {3, -1}, {7, 0}}, "m" SUP "M9" PUS },
+ { 4, {{1, 0}, {9, 0}, {3, -1}, {7, -1}}, "m9" },
+ { 4, {{1, 0}, {9, -1}, {3, -1}, {7, -1}}, "m♭9" },
+ { 4, {{1, 0}, {9, 0}, {3, -1}, {6, 0}}, "m6/9" },
+ { 4, {{1, 0}, {9, -1}, {3, -1}, {6, 0}}, "m6/♭9" },
+
+ /* Sixth plus 9 */
+ { 5, {{1, 0}, {9, 0}, {3, 0}, {5, 0}, {6, 0}}, "6/9" },
+ { 5, {{1, 0}, {9, 0}, {3, -1}, {5, 0}, {6, 0}}, "m6/9" },
+ { 5, {{1, 0}, {9, -1}, {3, -1}, {5, 0}, {6, 0}}, "m6/♭9" },
+
+ /* Seventh plus altered 9 */
+ { 5, {{1, 0}, {9, +1}, {3, 0}, {5, 0}, {7, -1}}, "7♯9" },
+ { 5, {{1, 0}, {9, -1}, {3, 0}, {5, 0}, {7, -1}}, "7♭9" },
+ { 5, {{1, 0}, {9, +1}, {3, 0}, {5, -1}, {7, -1}}, "7♭5♯9" },
+ { 5, {{1, 0}, {9, -1}, {3, 0}, {5, -1}, {7, -1}}, "7♭5♭9" },
+
+ /* Ninth chords */
+ { 5, {{1, 0}, {9, 0}, {4, 0}, {5, +1}, {7, 0}}, SUP "+M9" PUS "sus" },
+ { 5, {{1, 0}, {9, 0}, {4, 0}, {5, +1}, {7, -1}}, SUP "+9" PUS "sus" },
+ { 5, {{1, 0}, {9, 0}, {4, 0}, {5, 0}, {7, 0}}, "M9sus" },
+ { 5, {{1, 0}, {9, 0}, {4, 0}, {5, 0}, {7, -1}}, "9sus" },
+ { 5, {{1, 0}, {9, 0}, {3, 0}, {5, +1}, {7, 0}}, SUP "+M9" PUS },
+ { 5, {{1, 0}, {9, 0}, {3, 0}, {5, +1}, {7, -1}}, SUP "+9" PUS },
+ { 5, {{1, 0}, {9, 0}, {3, 0}, {5, 0}, {7, 0}}, "M9" },
+ { 5, {{1, 0}, {9, 0}, {3, 0}, {5, 0}, {7, -1}}, "9" },
+ { 5, {{1, 0}, {9, 0}, {3, -1}, {5, 0}, {7, 0}}, "m" SUP "M9" PUS },
+ { 5, {{1, 0}, {9, 0}, {3, -1}, {5, 0}, {7, -1}}, "m9" },
+ { 5, {{1, 0}, {9, -1}, {3, -1}, {5, 0}, {7, -1}}, "m♭9" },
+ { 5, {{1, 0}, {9, 0}, {3, 0}, {5, -1}, {7, 0}}, "M9" SUP "♭5" PUS },
+ { 5, {{1, 0}, {9, 0}, {3, 0}, {5, -1}, {7, -1}}, "9" SUP "♭5" PUS },
+ { 5, {{1, 0}, {9, 0}, {3, -1}, {5, -1}, {7, 0}}, "m" SUP "M9♭5" PUS },
+ { 5, {{1, 0}, {9, 0}, {3, -1}, {5, -1}, {7, -1}}, "𝆩" SUP "9" PUS },
+ { 5, {{1, 0}, {9, -1}, {3, -1}, {5, -1}, {7, -1}}, "𝆩" SUP "♭9" PUS },
+ { 5, {{1, 0}, {9, 0}, {3, -1}, {5, -1}, {7, -2}}, "°" SUP "9" PUS },
+ { 5, {{1, 0}, {9, -1}, {3, -1}, {5, -1}, {7, -2}}, "°" SUP "♭9" PUS },
+
+ /* Eleventh chords */
+ { 6, {{1, 0}, {9, 0}, {3, 0}, {11, 0}, {5, +1}, {7, 0}}, SUP "+M11" PUS },
+ { 6, {{1, 0}, {9, 0}, {3, 0}, {11, 0}, {5, +1}, {7, -1}}, SUP "+11" PUS },
+ { 6, {{1, 0}, {9, 0}, {3, 0}, {11, 0}, {5, 0}, {7, 0}}, "M11" },
+ { 6, {{1, 0}, {9, 0}, {3, 0}, {11, 0}, {5, 0}, {7, -1}}, "11" },
+ { 6, {{1, 0}, {9, 0}, {3, -1}, {11, 0}, {5, 0}, {7, 0}}, "m" SUP "M11" PUS },
+ { 6, {{1, 0}, {9, 0}, {3, -1}, {11, 0}, {5, 0}, {7, -1}}, "m11" },
+ { 6, {{1, 0}, {9, -1}, {3, -1}, {11, 0}, {5, -1}, {7, -1}}, "𝆩" SUP "11" PUS },
+ { 6, {{1, 0}, {9, -1}, {3, -1}, {11, -1}, {5, -1}, {7, -2}}, "°" SUP "11" PUS }
+};
+
static void
scherzo_analyze_chord (scherzo_t *scherzo)
{
note_group_t *note_group;
unsigned i, j, num_notes;
int bass_pitch, inversion;
+ score_pitch_t root;
const char *chord_name = NULL;
if (scherzo->pedal_pressed)
num_notes = note_group->num_notes;
- struct { modified_degree_t degrees[1]; const char *name; } octaves[] = {
- { {{1, 0}}, "Octave"}
- };
-
- struct { modified_degree_t degrees[2]; const char *name; } intervals[] = {
- { {{1, 0}, {2, -1}}, "Minor 2nd"},
- { {{1, 0}, {2, 0}}, "Major 2nd"},
- { {{1, 0}, {3, -1}}, "Minor 3rd"},
- { {{1, 0}, {3, 0}}, "Major 3rd"},
- { {{1, 0}, {4, 0}}, "Perfect 4th"},
- { {{1, 0}, {5, -1}}, "Diminished 5th"},
- { {{1, 0}, {5, 0}}, "Perfect 5th"},
- { {{1, 0}, {6, -1}}, "Minor 6th"},
- { {{1, 0}, {6, 0}}, "Major 6th"},
- { {{1, 0}, {7, -1}}, "Minor 7th"},
- { {{1, 0}, {7, 0}}, "Major 7th"}
- };
-
- struct { modified_degree_t degrees[3]; const char *name; } triads[] = {
- { {{1, 0}, {3, 0}, {5, +1}}, "Augmented triad" },
- { {{1, 0}, {3, 0}, {5, 0}}, "Major triad" },
- { {{1, 0}, {3, -1}, {5, 0}}, "Minor triad" },
- { {{1, 0}, {3, -1}, {5, -1}}, "Diminished triad" }
- };
-
- struct { modified_degree_t degrees[4]; const char *name; } sevenths[] = {
- { {{1, 0}, {3, 0}, {5, +1}, {7, 0}}, "Augmented/major 7" },
- { {{1, 0}, {3, 0}, {5, +1}, {7, -1}}, "Augmented 7" },
- { {{1, 0}, {3, 0}, {5, 0}, {7, 0}}, "Major 7" },
- { {{1, 0}, {3, 0}, {5, 0}, {7, -1}}, "Dominant 7" },
- { {{1, 0}, {3, -1}, {5, 0}, {7, 0}}, "Minor/major 7" },
- { {{1, 0}, {3, -1}, {5, 0}, {7, -1}}, "Minor 7" },
- { {{1, 0}, {3, -1}, {5, -1}, {7, 0}}, "Diminished/major 7" },
- { {{1, 0}, {3, -1}, {5, -1}, {7, -1}}, "Half-diminished 7" },
- { {{1, 0}, {3, -1}, {5, -1}, {7, -2}}, "Diminished 7" }
- };
-
if (scherzo->chord) {
score_remove_chord (scherzo->chord);
scherzo->chord = NULL;
}
}
- switch (num_notes) {
- case 1:
- for (i = 0; i < ARRAY_SIZE (octaves); i++) {
+ for (inversion = 0; inversion < 4; inversion++) {
+ for (i = 0; i < ARRAY_SIZE (signatures); i++) {
if (_chord_signature_matches (notes, num_notes,
- octaves[i].degrees, 1, &inversion))
+ signatures[i].degrees,
+ signatures[i].num_degrees,
+ inversion, &root))
{
- chord_name = octaves[i].name;
- break;
+ chord_name = signatures[i].name;
+ goto CHORD_NAME_KNOWN;
}
}
- break;
- case 2:
- for (i = 0; i < ARRAY_SIZE (intervals); i++) {
- if (_chord_signature_matches (notes, num_notes,
- intervals[i].degrees, 2, &inversion))
- {
- chord_name = intervals[i].name;
- break;
- }
- }
- break;
- case 3:
- for (i = 0; i < ARRAY_SIZE (triads); i++) {
- if (_chord_signature_matches (notes, num_notes,
- triads[i].degrees, 3, &inversion))
- {
- chord_name = triads[i].name;
- break;
- }
- }
- break;
- case 4:
- for (i = 0; i < ARRAY_SIZE(sevenths); i++) {
- if (_chord_signature_matches (notes, num_notes,
- sevenths[i].degrees, 4, &inversion))
- {
- chord_name = sevenths[i].name;
- break;
- }
- }
- break;
}
+ CHORD_NAME_KNOWN:
if (chord_name) {
- if (inversion) {
- const char *inversion_str;
- switch (inversion) {
- case 1:
- inversion_str = "1st inversion";
- break;
- case 2:
- inversion_str = "2nd inversion";
- break;
- case 3:
- inversion_str = "3rd inversion";
- break;
- default:
- fprintf (stderr, "Internal error: Unexpected inversion: %d\n",
- inversion);
- exit(1);
- }
- chord_name = talloc_asprintf (local, "%s %s",
- chord_name, inversion_str);
- } else {
+ /* Don't print root pitch for octaves and inversions,
+ * (since a pitch name alone looks like a major triad) */
+ if (num_notes < 3) {
chord_name = talloc_strdup (local, chord_name);
+ } else {
+ chord_name = talloc_asprintf (local, "%s%s",
+ _pitch_str (root),
+ chord_name);
}
} else {
chord_name = talloc_strdup (local, "Unknown chord");